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M.T. Liggett exhibit inside their visitor center

5.4.7 Arts Foundation, Mullinville, KS

M.T. Liggett Art Environment Visitors Center

M.T. Liggett is known for his confrontational and controversial sculptures, signs, totems, and whirligigs. Liggett's work is unique. Iconic. And abrasive.

Visitors to the area can view over 600 of his metal sculptures along a roadside in rural Kansas at any time. But shortly after his death in 2017, work began to tell the story of the artist and the impact he's made.

M.T. Liggett roadside sculptures

In 2020, the 5.4.7 Arts Center hired FHD to design an interpretive exhibit to be housed in a newly constructed visitor center on the site of Liggett's studio.

The Space


The M.T Liggett Art Environment Visitors Center was constructed on the site of Liggett's studio and is surrounded by his sculptures which line the fence around his property.

The Kohler Foundation committed to the two-year project of restoring and preserving the nearly 600 large metal totems as well as 500+ metal hearts and other small pieces. The new visitor center building was also part of the Kohler Foundation's conservation initiative.

Exhibit Planning


The building itself is split in two: one half with the interpretive exhibit, and the other half housing a workshop and living quarters for a local artist-in-residence.

Early in the project we measure the space noting windows, doors, return vents, outlets, smoke detectors, and anything else that we need to design around. From these measurements we create floor plans and elevations as we begin to block in the sections of the exhibit.

M.T. Liggett visitor center floorplan
Floorplan of the exhibit space with sections blocked in (click to enlarge).
M.T. Liggett museum wall elevations
Wall elevations for the gallery show the relationships of all exhibit elements. (click to enlarge).

A Digital Approach


We also create a digital, 3D model of the space that we can then populate with the elements and displays for the exhibit. This model is updated often as new designs or elements are developed. So we're able to more easily visualize what the exhibit will look like throughout the process. Take a look at our animated walkthrough!

Exhibit Content & Organization


The exhibit content was written by guest curator, Erika Nelson. We worked closely with her and the 5.4.7 Arts Center to tell the story of Liggett's life, his contributions to folk art, and the controversy that his pieces provoked. The resulting exhibit provides a more complete context to the complex character that Liggett was.

Erica Nelson is also leading the preservation portion of the project, responsible for preserving his artwork for future generations.

Design & Displays


For the exhibit, we leaned on weathered steel motifs inspired by Liggett's use of materials. Laser-cut steel panels anchor the exhibit sections and provide a contrasting texture to the smooth, refined surface of the interpretaion.

The design of the exhibit uses greens and dark blues in the interpretive panels and the painted surfaces which complement the weathered steel. We incorporated imagery, video, and a seemingly infinite supply of provocative quotes to engage visitors and provide a visual context to the story.

M.T. Liggett exhibit graphic layouts
Weathered steel exhibit section titles combined with interpretive panels
I'll always be remembered as a troublemaker, probably an instigator... quote by M.T. Liggett
Digital rendering of the platform with the 'Ben' sculpture and interpretive panels
Digital rendering of the "Ben" sculpture platform.
Platform with M.T. Liggett sculpture and interpretive panels
Completed "Ben" sculpture platform displayed inside the exhibit.

Much of the art is installed along the fenceline of Liggett's property where it originally stood. The artwork on display inside the exhibit help to illustrate different points of Liggett's creative process and artistic details.

There were also several smaller artifacts of importance to include, such as a series of wedding rings. These artifact cases were mounted directly to the interpretive panels on the wall. This served to keep the artifacts close to their interpretive content and allowed us to keep the floor space as open as possible.

Wedding ring display with tags showing which of M.T. Liggett's marriages they represent
Wedding ring display with Liggett's own handwritten tags showing which marriage it represented. We custom fabricated the acrylic vitrine to fit the around the artifact.
Panel-mounted artifact case with three purple cow figurines
The "Purple Cows" were a prop that M.T. Liggett used when telling the story of his early art experience in school.

Also included in the exhibit are two interactive A/V units. Visitors can watch short documentaries that feature Liggett and his art, as well as interviews with Mullinville residents and their complicated relationships with Liggett.

We begin to see that Liggett had a more prickly personality that he put up or even over-sold when he was in front of a camera. It's also clear when watching the local interviews that Liggett had a slightly softer side that he reserved for a select few that were close to him.

Exhibit elements including one of the A/V units in the corner
Corner A/V units display the oral history interviews and documentaries featuring M.T. Liggett.

Multiuse Space


The interpretive space is compact and needs to function well for small gatherings in addition to telling Liggett's story. So we kept the interpretation to shallow displays around the exterior of the space, with a partial context studio display in the center of the room. When the visitors center needs a more open space for an event, the studio splits into two halves and can be pushed into spaces along the outer walls.

The back side of the center platform with large workshop graphic
One side of the studio element features a large image from inside Liggett's studio.
The front side of the center platform displaying boxes and tools
The other side displays tools, items, and interpretation. The studio splits in the middle and the two sides can be rolled to the edges of the room.

Outdoor Signage


Even though the majority of our work was focused on the exhibit space inside, we also had the opportunity to design and fabricate an outdoor sign.

We went with a three-piece laser cut steel design. The weathered steel backer matches the exhibit title panels and the powder coated pieces are offset about an inch for a floating effect.

Custom fabricated steel sign outside of the M.T. Liggett Art Experience Visitor Center
The sign is made from quarter-inch steel plates. It's heavy, durable, and will look great for years to come.